"Wesleyan Chapel 10" by U.S. National Park Service , public domain
Women's RightsThe Wesleyan Chapel |
Brochure about the Wesleyan Chapel at Women's Rights National Historical Park (NHP) in New York. Published by the National Park Service (NPS).
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Women’s Rights
National Park Service
U.S. Department of the Interior
Women’s Rights
National Historical Park
The Wesleyan Chapel
72 years after ‘The Declaration of Independence’ was signed, 300 people met at
the Wesleyan Chapel to protest the laws and customs that discriminated against
women. Here they signed a new document, ‘The Declaration of Sentiments’.
Both of these documents challenged the status quo and both of them were just
the beginning of a years-long struggle for freedom. It would take another 72
years after the convention before women were given the right to vote. Like the
movement, the chapel underwent many changes, but its significance as a cradle
of liberty was not forgotten.
Origins
In 1843 a small group of reform-minded Seneca
Falls residents declared they were forming a
Wesleyan Methodist church. This followed a
national trend that had begun several years
earlier when antislavery members of the Methodist Episcopal Church decided to break away
and organize a new church that condemned
slavery. The Seneca Falls Wesleyan Methodists
set to work building their new church, and by
October 1843 the building was completed. An
article about the church published in the True
Wesleyan described its appearance: “[The Chapel is] of brick, 44 x 64, with a gallery on three
sides, and is well finished, though, as it should
be, it is plain.”
The spirit of reform that inspired the Seneca Falls
First Woman’s Rights Convention was already
present in the early use of the chapel. Antoinette
Brown, the first ordained female minister in
America, spoke about the violence in Kansas
Territory at the chapel in May 1855. Noted
abolitionists William Lloyd Garrison and Frederick
Douglass also spoke in the chapel. During the
turbulent period leading to the Civil War, the
Wesleyan Chapel played a pivotal role in keeping
the issue of slavery front-and-center in the village
of Seneca Falls.
Minutes of the First Woman’s Rights Convention
held in the Wesleyan Chapel, July 19 and 20, 1848.
Transition
The year 1872 marked the beginning of the
chapel’s conversion from a place of worship to a
series of businesses, almost symbolically at the
time the women’s rights movement splintered.
After the Wesleyan Methodists moved into a new
church on Fall Street, the chapel was
transformed into Johnson Hall, a public
auditorium where speeches, fairs, and performances were held. By the end of the nineteenth
century the building’s name had changed to the
Johnson Opera House, and through the first half
of the twentieth century it was used for a number
of purposes, including furniture store, movie
theater, car garage and repair shop, and
laundromat.
Although the building underwent numerous
renovations during this time, its connection to the
women’s rights movement was not forgotten.
Harriot Stanton Blatch, Elizabeth Cady Stanton’s
youngest daughter, returned in 1908 to place a
commemorative plaque on the wall of the opera
house, and celebrations held in 1915 and 1948
marked the 100th anniversary of Stanton’s
birthday and the Seneca Falls Convention,
respectively. A marker was placed on the corner
of Fall and Mynderse Streets in the 1930s to give
silent testimony to the historic importance of the
site. Despite many changes, the building
continued to be associated with the women’s
rights movement.
National Park
The Seneca Falls Garage on the corner of Fall
and Mynderse Streets, ca. 1920.
The 1960s and ‘70s witnessed a resurgence in
women’s rights activism. Renewed interest in the
Seneca Falls Convention led to an effort to
preserve the Wesleyan Chapel in recognition of
its importance in American history.
In 1980 President Jimmy Carter signed
legislation authorizing the establishment of
Women’s Rights National Historical Park, and in
1985 the National Park Service acquired the
chapel and held a design competition to
determine the chapel’s preservation treatment.
The winning architects, Ann Wills Marshall and
Ray Kinoshita, created a monument incorporating
material from the original building to
commemorate the First Woman’s Rights
Convention.
The Chapel Today
Wesleyan Chapel around 1890 when it
was used as an opera house.
Beginning in 2009 the Wesleyan Chapel
underwent another alteration, one that ensures
that future generations can visit the site of
America’s second revolution for freedom.
Weather-related damage to the historic fabric of
the monument led the National Park Service to
determine that the best course of action was to
enclose the space and extend the roof over the
entire structure. Because no period
photographs of the original chapel exist, this
design is considered a rehabilitation rather than
a faithful re-creation. The new design allows for
quiet contemplation and helps visitors connect
with the site where the crusade for women’s
rights formally began.
The location of the seating that adorned the
Wesleyan Chapel from its inception in 1848 is
unknown. The pews inside the Wesleyan
Chapel were constructed for the First
Congregational Church of Seneca Falls, which
split from the Wesleyan Methodists in 1869.
E X P E R I E N CE Y O U R AM E R I C A
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Wesleyan Chapel, 2008.
Wesleyan Chapel interior, Convention days 2016
Chapel Pews being assembled 2012.