"Barataria Preserve Audio Tour Stop 7" by U.S. National Park Service , public domain
Jean LafitteBrochure |
Official Brochure of Jean Lafitte National Historical Park and Preserve (NHP&PRES) in Louisiana. Published by the National Park Service (NPS).
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Jean Lafitte
Jean Lafitte National Historical Park and Preserve
Louisiana
National Park Service
U.S. Department of the Interior
Louisiana's Mississippi River Delta conjures images
of a spirited culture and places of haunting beauty. It is a
Top photos, from left.- a baldcypress swamp in Barataria
Preserve; costumed riders during Cajun Mardi Gras; coastal
marsh, where Gulf meets delta;
living history commemoration
of the Battle of New Orleans at
Chalmette Battlefield; cast iron
tracery gives the French Quarter a 19th-century air.
world shaped by a dynamic, centuries-old relationship between humans and a stillevolving land. Here a succession of peoples has both altered and adapted to the
environment as they interacted with other cultures—changing and being changed. Jean Lafitte National Historical Park and Preserve
tells the story of this land and its culture that together show one of the most interesting faces of the American experience.
Cajun Mardi Gras—
First there was the land, the P e o p l e f r o m all over the F a c i n g a n influx of Americans
Costumed horseback riders begging
farmers for a chicken destined for
the communal gumbo; egrets floating over the marshes of the Barataria
estuary, its expanse broken by scatfishing camps on stilts; the
art at Chalmette Battlefield,
it is easy to imagine 5,000
ESh soldiers charging into a withg barrage of shot and shell; New
eans, where a stroll feeds the
senses—the keen aromas of gumbo
r hot beignets drifting from French
uarter cafes, staccato tap dancing
the street, the endless trove of
goods at the French Market, the glittering Mississippi seen from atop the
levee. And the music—one is borne
through the day on music, from jazz
clubs on Bourbon Street to a Cajun
two-step at the Liberty Theatre in
Eunice; from accordion-driven
zydeco to street-corner blues. How
did such a place come to be?
creation of the Mississippi River.
At the end of its journey, the
river deposits sediment scoured
from 40 percent of the continental United States. The delta is a
restless interplay of land and water:
treeless marshes, distributary channels, slow-moving bayous, forested
natural levees, freshwater swamps,
and barrier islands. A small swath of
the delta within the Barataria Preserve encompasses some of these
natural features and a history of
human activity. American Indians
settled this land as it formed some
2,500 years ago. Beginning in the
1720s European settlers and enslaved Africans took their place
among the Indians, inscribing
on the face of the delta—alongside ritual earthed mounds and
ancient shell midcfens—plantation fields, artificial levees, log
ging canals, trapfflrs' ditches
and oil pipelines
S
Mardi Gras celebrants have
masked in New Orleans since
the 18th century. Formal
parades and the practice of
paraders throwing beads and
trinkets began in the 1870s.
arid shape the remarkable delta and immigrants after the Louisiana
culture, just as soil eroding from Purchase, French-speaking, mostly
a huge watershed shapes the Catholic, residents called themselves
delta. After founding the Lou- "Creoles" to distinguish native from
isiana colony in 1699, France laid newcomer. At the Battle of New
down the basic cultural rhythms. Orleans, diverse groups found comReligion, language, law, architecture, mon cause under Gen. Andrew Jackmusic, food—all echo their French son, driving back the British iri^
origins. Others contributed different last battle of the War of 1812. The vicrhythms, different overtones: Chiti- tory secured the Louisiana Territory
macha, Houma, and other tribes; for westward expansion, cemented
Canadian French; German settlers. national pride, and gained the United
Enslaved people from West Africa States respect abroad.
contributed their labor, agricultural
practices, and culture. During the B e f o r e ? t h e Battle of New
Spanish rule of Louisiana from Orleans, Jejan Lafitte commanded a
1763 to 1800, Spanish-speaking large confederation of smugglers
Islenos (Canary Islanders) and and privaners based in Barataria
French-speaking free people of Bay. Though hounded by American
color from the Caribbean began authoritieS he joined forces with
arriving in trr$ delta. French Aca- Jackson in the battle, providing men,
dians, driven! from Nova Scotia artillery, and information. Pardoned
h by the Briti&i, settled the bay- for his service, he slipped from the
-? ous and pnfflies.
pages of history and lingers only in
delta legend.
Credits for above photos, left to right:
Mardi Gras Indian: Jenny Bagert man
playing fiddle stick: Philip Gould; man
holding tray of crawfish: Philip Gould;
chef: Syndey Byrd; woman playing clarinet: Philip Gould; man playing sax: Syndey Byrd; crawfisherman: Syndey Byrd;
boy playing accordion: Syndey Byrd;
woman playing fiddle: Alex Deyman;
sugar cane worker: Chandra McCormick;
shrimpers: Philip Gould; living history
portrayal of Choctaw Indian: Syndey
Byrd; Brown Pelican: Alex Deyman
• H m d alligator: icons of
'ta world—the accordion
because its driving rhythm underpins Cajun and zydeco music; the
alligator as top predator in the
bayou ecosystem.
Left: St. Louis Cathedral in
Jackson Square.
Syndey Byrd
Syndey Byrd
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1
The bayous of the Barataria Preserve wind slowly through
giant blue iris and baldcypress draped with Spanish moss.
The word "bayou," borrowed by the French from the Choctaw
Indians, is usually applied to the slow-moving rivers and
creeks of the flat delta country.
Conduit for goods, people, and culture, the Mississippi River
made New Orleans a great port and the delta one of the most
diverse regions in the country. Though tamed by levees and
spillways, the river retains its power to unleash floods or build
-new land-.
•
Creoles and Cajuns—names
romanticized, stereotyped,
and misunderstood. Visitors
are deluged with the words,
all too often used to sell
something rather than convey meaning about a people and their culture. Who
are Creoles and Cajuns, and
what do the names mean?
Today various groups in
Louisiana describe themselves as "Creole"—often
claiming exclusive rights to
the term. All have legitimate ties to that heritage.
Their link is in the early
1800s, when Louisiana
ceased to be a European
colony and became a
possession of the United
States. "Creole" came to
mean "native to Louisiana."
For many natives—French,
Spanish, African, or German—it meant "us": Frenchspeaking, locally born.
"They" were Americans or
European immigrants arriving in droves at the port of
New Orleans, speaking not
French but English or their
native tongues. They were
outsiders, bent on changing
the Creole way of life.
Times change, meanings
blur, and people's sense of
themselves evolves. But
"Creole" retains its old
meaning as an adjective
describing the food, music,
and customs of those areas
of Louisiana settled during
French colonial times. In a
sense, despite the overwhelming Americanization
of Louisiana, the original
Creoles won. Visitors come
to experience Creole, to
experience what sets this
place apart: Mardi Gras and
red beans, jazz and joie de
vivre. Whoever came here—
c
C
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I
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o
E
English, African, Irish,
\ Italian, Chinese, Filipino,
a:
c
£
I
Croatian, Honduran, or
Vietnamese—contributed
to Creole culture and in
turn was shaped by it.
From their arrival in the
late 1700s the Acadians, or
"Cajuns," were a people
apart. Mostly small farmers
and craftspeople, they settled in the bayou country,
where their isolation was
compounded by their distinctive dialect and their
fierce loyalty to family and
place. Urbane New Orleani-
Left to right: pan-roasting coffee beans, 1946; picking Spanish moSs, 1940s; new father plays for his son on the steps of his music club, 1974.
ans saw them as quaint
and rustic, subjects of
humor. Driven by hard
times to seek other livelihoods, Cajuns pioneered
new ways to live off the
bounty of the delta landscape. In this they were
joined by other groups
who helped shape and
share the culture we now
know as Cajun. No longer
isolated, their culture is
admired worldwide—even
in New Orleans.
Shaping a New Land
The Mississippi River delta is some of the youngest
land in North America. The deltaic sediments that
underlie the New Orleans region are less than
4,000 years old. Natural processes—deposition of
new sediment, erosion, subsidence (settling of
sediment)—maintained a healthy equilibrium between land and water at delta's edge. But canals,
naiurm levees along river ana oayou proviaea
levees, jetties, and floodways built by humans higher land for farms and towns. Once forest
cleared, human settlement followed the
upset the balance, blocking sedimentation and was
narrow lines of the levees, leading to a pattern
of linear settlement where waterways were
increasing erosion and loss of coastal wetlands.
the main corridors of transportation.
Before artificial levees and
jetties, the Mississippi and
its distributary branches
built land in two ways.
Spring floods overflowed
river banks. The heaviest
particles of the waterborne sediment settled on
the bank; the rest spread
out gradually. This process
created
levees
created natural
natural levees
(left)
of
(left) along
along the
the flanks
flanks of
the
land.
the waterways.
waterways. The
The land,
highest near the river,
sloped gradually down
the back of the levee to
freshwater swamps and
finally marshes. The soils
got wetter as the levee
sloped downward. Oaks
and other hardwoods
dominated the highest
ground; maple, ash, and
palmetto
palmetto the
the backslope;
backslope;
baldcypress and
and water
water
baldcypress
tupelo the
the swamp;
swamp; with
with
tupelo
grasses, sedges, and rushes in the marsh.
The second process of
delta-building occurs at the
mouth of the river, where
great plumes of sediment
are deposited in the shallow waters of the Gulf of
Mexico as the current
slows. The deposits build
up into mud flats, eventually colonized by wetland
vegetation. The river tends
to wander and change
course over this flat area,
always seeking the shortest route to the sea. The
river sometimes forks into
two or more distributary
channels within one delta.
The new distributary forks
sometimes capture the
flow,
flow, abandoning
abandoning the
the old
old
channel.
In this
channel. In
this way
way new
new
deltas are
are built.
built. As
As old
old
deltas
deltas wash away, their
sediments are reworked
by Gulf waves and storms
into barrier islands and
beaches. Over the last
3,500 years the Mississippi
has created five major
deltas (below), the newest
only 500 years old.
Driving times between the French
Quarter and other park sites:
Chalmette: 30 minutes (7 miles)
Barataria: 45 minutes (17 miles)
Thibodaux: 1 '/ hours (70 miles)
Lafayette: 2 'A hours (142 miles)
Eunice: 3 'A hours (192 miles)
A growing "birdfoot"
delta at Mississippi's end
reaches into the Gulf
The Six Sites of Jean Lafitte
Exploring Acadiana
Eunice
The New Orleans Area
Lafayette
Thibodaux
French Quarter
A b o u t Your V i s i t
Barataria
Chalmette
Jean Lafitte National Historical Park
and Preserve
419 Decatur St.
New Orleans, LA 70130
504-589-3882
www.nps.gov/jela
I
Contact park headquarters or individual park
sites for information on hours, programs,
driving times between sites, and accessibility.
There are no camping facilities, food, or
lodging within the park; these can be found
in nearby communities. There is public transportation only to the French Quarter.
The Prairie Acadian
Cultural Center is open
Tuesday through Saturday
(closed December 25). Exhibits, Cajun music and
dancing, cooking demonstrations, and live radio
programs at the adjoining
Liberty Theatre interpret
the culture of the Acadians
who settled the prairie of
southwest Louisiana.
250 W. Park Avenue
Eunice, LA 70535
337-262-6862
www.nps.gov/jela/Prairie
AcadianCulturalCenter.htm
The Acadian Cultural Center, open
daily (closed December 25), relates the story
of the Acadians who settled Louisiana's
Mississippi delta. Their history, customs,
language, and contemporary culture are
interpreted in exhibits, films, and programs.
501 Fisher Road
Lafayette, LA 70508
337-232-0789
www.nps.gov/jela/AcadianCulturalCenter.htm
Jam session at the Wetlands Acadian
Cultural Center in Thibodaux.
A mural in Eunice evokes the
Prairie Acadian spirit.
Syndey Byrd
The Wetlands Acadian
Cultural Center is open
daily (closed December 25).
Music performances, exhibits, an art gallery, and
demonstrations of boatbuilding, net-making, and
other activities interpret
the culture of the Acadians
who settled the bayou
country.
314 St. Mary St.
Thibodaux, LA 70301
985-448-1375
www.nps.gov/jelaAA/etlands
AcadianCulturalCenter.htm
Good times roll at
Lafayette's Festival Acadiens.
eyman
Syndey Byrd
For Your Safety: During summer months drink
plenty of fluids and avoid exposure to the sun
for long periods and at midday. Be alert for
fire ant mounds and their stinging inhabitants. In Barataria Preserve, stay on trails; be
alert for poisonous snakes; do not approach
or feed wildlife (especially alligators); be prepared with repellent for mosquitos.
French Quarter
After founding New Orleans
on a bend of the Mississippi
River in 1718, French colonists laid it out in a neat
grid. The distinctive look of
the 66-block Vieux Carre
(old square) is due to the
architectural styles developed in New Orleans in the
eighteenth and nineteenth
centuries. St. Louis Cathedral, the heart of the district, is flanked by grand
Spanish colonial public buildings. In 1856 the city erected
the statue of Andrew Jackson, hero of the Battle of
New Orleans and namesake
of the public square. Today
the Vieux Carre retains
much of its character because it is among the oldest
protected historic districts
in the nation.
The visitor center is open
daily (closed Mardi Gras and
December 25). Exhibits, walking tours, films, music performances, folklife and cooking demonstrations, and talks
by rangers help the visitor
understand the history and
culture of New Orleans and
the Mississippi River delta.
419 Decatur St.
New Orleans, LA 70130
504-589-3882
www.nps.gov/jela/French
Quarter.htm
Directions to Barataria
Preserve
Take Magazine St. to
Calliope St. Turn right onto
ramp signed "Mississippi River
Bridge" (Hwy 90). Take exit
4B. Turn left at second light
onto Barataria Blvd. Drive
nine miles to Preserve.
Barataria Preserve
The 20,000-acre Barataria
Preserve provides access to
natural levee forest, swamp,
and marsh. It features walking and canoe trails, a picnic
area, ranger programs, a
visitor center with exhibits
and films, and an environmental education center.
Open daily (visitor center
closed December 25).
6588 Barataria Blvd.
Marrero, LA 70072
504-589-2330
www.nps.gov/jela/Barataria
Preserve.htm
Chalmette Battlefield
and National Cemetery
The site of the 1815 Battle
of New Orleans. The cemetery holds the graves of veterans of American conflicts
from the Civil War to the
Vietnam War. Living history
programs, ranger talks,
exhibits, and film interpret
the site. Open daily (closed
December 25).
8606 West St. Bernard Hwy.
Chalmette, LA 70043
504-281-0510
www.nps.gov/jela/Chalmette
Battlefield.htm
Jean Lafitte National Historical Park and Preserve is one of more than 380 parks in the
National Park System. The National Park Service cares for these special places saved by
the American people so that all may experience our heritage. Visit www.nps.gov to
learn more about our national parks.
oGPO:2002-491 -282/40275
Printed on recycled paper.
The famous Po' Boy
Syndey Byrd